Venue HOW Art Museum
Price (Daytime)100RMB; (Nighttime)80RMB
As a debut solo-show in China, the exhibition brings together over thirty artworks by the Argentine artist Leandro Erlich covering large interactive installations, video installations and photography etc. By transforming the architectural spaces with his extravagant imagination through jarring reflections and fascinating labyrinths that disrupt the viewers’sense of balance and orientation, the artist invites the audience to question our normal perception of everyday experience.
Titled Construction of Reality (in Chinese “虚(xū).构(gòu)” – a combination of 虚(xū), meaning illusion, and 构(gòu), meaning construction) this exhibition unfolds the complex duality that characterizes Leandro Erlich’s artistic approach: by way of investigating the ephemeral, illusive aspect of the visual world, he recreates or even reverses the given logic of architectural space. For this solo show at HOW Art Museum, Erlich will present the most recent version of his series Reflective Optical Illusion Building, a new interactive installation in resonance with the historical and cultural landscape of Shanghai. Named Building – Shanghai Bell Tower (Hanging on Time), this piece appropriates the style of the main building of the former Shanghai Art Museum, now known as the Shanghai History Museum. While being “relocated" within the HOW Art Museum’s exhibition space and reflected in large mirrors, this “bell tower”, with its distinctive architectural style of 20th-century Shanghai, will be reactivated through its surreal interactions with the spectators. Within this delightful interruption of normal life, strangers can go beyond its constraints. Other showcased works include Staircase, The Classroom, Lost Garden…, which as a group make up the magical world constructed by the artist.
Trained as an architect, Leandro Erlich is known for his extravagant imagination and unique manipulations of mirrors, projections, and architectural spaces with which he recreates and represents reality in surreal ways. Spectators entering his works immediately encounter the artist’s contemplation of the relationships between bodies and spaces, the individual and society. His works tend to be site-specific in terms of both conception and production, taking into consideration the specifics of his venues and materials, and they are open to interaction with the local architectural and lived spaces. For instance, elevators, stairs, peepholes, changing rooms, and outdoor swimming pools, are recurring elements in his practice.